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    Over R2 501,00

    Elinor Glyn as Novelist, Moviemaker, Glamour Icon and Businesswoman

    R3 286,00
    Examining the authorial and cross-media practices of the English novelist Elinor Glyn (1864-1943), Vincent L. Barnett and Alexis Weedon trace Glyn's work as a novelist in the United Kingdom, her success in Hollywood as an adaptor.

    Film Theory

    R2 797,00
    What is the relationship between cinema and spectator? This title employs this question to guide students through the major film theories, from the classical period onwards. It traces the stages of film theory from 1945 onwards, from neo-realist and modernist theories to psychoanalytic, 'apparatus', phenomenological and cognitivist theories.

    Television Production Handbook

    R2 974,00 R4 017,52
    Emphasizes how production proceeds in the digital age - from idea to image - and how it moves through the three major phases, from preproduction to production to postproduction. This title describes the necessary tools, considers what they can and cannot do, and explains how they are used to ensure maximum efficiency and effectiveness.

    Space Oddities: Women and Outer Space in Popular Film and Culture, 1960-2000

    R2 564,00
    A fascinating new perspective on the Space Race combining brilliant film scholarship with gender studies and feminist theory.

    Children's Films: History, Ideology, Pedagogy, Theory

    R3 010,00
    This study examines children's films from various critical perspectives, including those provided by classical and current film theory.

    Orson Welles's Citizen Kane : A Casebook

    R3 010,00
    "Citizen Kane" is the most admired and significant film since the advent of talking pictures. This volume represents the essential writings on "Kane". It gives the reader a set of critical interpretations, together with the production information, historical background, and technical understanding to comprehend the film's cultural significance.

    Subject to Change: Guerrilla Television Revisited

    R2 691,00
    This is a history of "guerilla television", a form of TV which was part of an alternative media tide sweeping the United States in the 1960s. Inspired by the fracturing issues of the decade and the theories and writings of various exponents, guerilla television put forth "utopian" programming.

    Television and New Media Audiences

    R3 753,00
    Through case studies, this work explains what audience research tells us about the uses of technologies in the domestic sphere and the classroom, the relationship between gender and genre, and the varied interpretation of media technologies and media forms.

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